Chinese Slow Cinema: A New Filmic Rhythm and a Cinematic Conscience Exploring Notions of Time, History, Memory, Absence, and Allegory in the Works of Chinese Auteurs
Volume 19, Number 1, January/February 2020
by Rebecca Catching
Article Description
Rebecca Catching introduces the Slow Cinema movement, a genre in filmmaking completely alien to commercial movie spectacles and that demands viewers to immerse themselves in scenarios often in real time and focus on mundane details. Within this specialized form of filmmaking, Catching locates Chinese filmmakers within a structural process that is international in scope but local in subject matter.
Related Keywords
Rebecca Catching, Chinese slow cinema, time, history, memory, absence, allegory, Chinese auteurs
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