China’s spectacular Emersion versus the spectres of bureaucracy looming in Taiwan, the Singaporean art of deconstructing national symbols, wordless dialogue from Hong Kong or greater China at the 2005 Venice Biennale
Volume 4, Number 3, September 2005
by Felix Schöber
A review of the 51st Venice Biennale, focusing in particular on the representation of Chinese artists and the impact the pavilions of the People’s Republic of China, Hong Kong, Taiwan, and Singapore have within such a highly competitive setting.
51st Venice Biennale, Felix Schöber, China pavilion, Taiwan pavilion, Singapore pavilion, Hong Kong pavilion
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