Maternal Ambivalence in Pan Yuliang’s Paintings
Volume 9, Number 3, May/June 2010
by Phyllis Teo
An artist feature exploring the work of Pan Yuliang.
Pan Yuliang, painting, Pan Zanhua, Female Nude, May Fourth New Culture Movement, women's movement, maternal ambivalence, Motherly Love, pre-modern China, Phyllis Teo
For other payment options, please email us at firstname.lastname@example.org or call +1.604.649.8187.