A Crisis of Contemporary Art in China?
Volume 10, Number 5, September/October 2011
by Gao Minglu
Gao Minglu champions a re-examination of the complexity of China’s contemporary art history, proposing a reconsideration of it in light of distinct social and political conditions rather than confining it to the customary comparison with the West.
crisis of contemporary art, Gao Minglu, aesthetic debate, materialization, dematerialization, Red Pop movement, Red Guards, self-criticism
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