Identity Politics? Allegorical Existence? On the Way to the Fantastic
Volume 1, Number 2, August 2002
by Elsa Hsiang-chun Chen
A review of the exhibition (The World May Be) Fantastic? by artists Cang Xin from Beijing and Shirley Tse from Hong Kong and Los Angeles.
Elsa Hsiang-chun Chen, (The World May Be) Fantastic, Cang Xin, performance, Shirley Tse, Sydney Biennale, Polymathicstyrene, Chineseness
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