Qian Zhongshu and the Late, Late Modern

Volume 1, Number 1, May 2002
by Robert Linsley


Article Description

In this paper, Robert Linsley suggests that a renewed address to abstraction by Chinese artists could have a global relevance. Linsley also makes references to Qian Zhongshu's critical work Guanzhui bian.


Related Keywords

Chinese aesthetics, Robert Linsley, Qian Zhongshu, Guanzhui bian, new China Avant-Garde, abstract painting, nihilism, emptiness