Displaced Cultural Landscape and Manufactured Landscapes: The Three Gorges Project in Art
Volume 11, Number 6, November/December 2012
by Zhou Yan
In this essay, Zhou Yan points to the
difference between how Torontonian Edward
Burtynsky depicts the phenomenon of Three
Gorges Dam compared to the way Chinese
artists portray it.
Three Gorges Dam Project, Edward Burtynsky, John Reibetanz, modernization, displacement, manufactured landscapes,
Zhuang Hui, Liu Xiaodong, Wu Hung, Ji Yun-Fei, Fan K’uan
For other payment options, please email us at firstname.lastname@example.org or call +1.604.649.8187.