The “Being and Nothingness” of Han Feng
Volume 12, Number 1, January/February 2013
by Voon Pow Bartlett
Voon Pow Bartlett turns to a younger artist, Han
Feng, to show how the aspects of emptiness and
solitude that inhabit his painting and sculpture are
in fact signs of hope.
Voon Pow Bartlett, Han Feng, Chinese Arts Centre, Manchester, The Corner of Tube, The Corner of Stairs, 2011, Clothes for Bat, Clothes for Bird, Shoes for Ostrich
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