“No Outside” for Socially Engaged Art Practices? The Reception of the Aesthetic Regime of Art and Its Frequent Malfunctions in Hong Kong
Volume 12, Number 4, July/August 2013
by Frank Vigneron
In this essay, Frank Vigneron discusses the socially engaged art practices, the reception of the aesthetic regime of art and its frequent malfunctions in Hong Kong.
Frank Vigneron, socially engaged art practices, aesthetic regime of art, malfunctions, Hong Kong art, trivialization, MAP office, "no outside" paradigm, Wooferten, M+
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