In and Out of the Dark with Extreme Duration: Documenting China One Person at a Time in the Films of Wang Bing
Volume 15, Number 4, July/August 2016
by Brian Karl
Wang Bing tests the conventions of what constitutes art, as author Brian Karl points out, by showing his documentary-like films of the marginalized in the context of an art gallery in addition to the cinema circuit.
Brian Karl, Wang Bing, films, documentary, the marginalized, Crude Oil, Three Portraits, Fengmin: A Chinese Memoir, Man with No Name
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