Notes from a Slaughterhouse: On Abjection, Movement, and Hong Kong Identity
Volume 15, Number 6, November/December 2016
by Michele Chan
Michele Chan’s review of Videotage and its 30th anniversary exhibition titled No References: A Revisit of Hong Kong Video and Media Art from 1985.
Michele Chan, Videotage, 30th anniversary, No References: A Revisit of Hong Kong Video and Media Art from 1985, Hong Kong identity, Su Wei, Cattle Depot Artist Village
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