Lee Mingwei: Relating to Art and Artists in the Twenty-First Century
Volume 16, Number 1, January/February 2017
by Rachel Ng
In this paper, Rachel Ng looks at his work from the perspective of cultural identity in a world of globalization and, in addition, how his work is positioned with respect to relational aesthetics.
Rachel Ng, Lee Mingwei, cultural identity, globalization, relational aesthetics, New York, Taiwanese, Buddhism, installation
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