Mirror, Mirror—Art and China after 1989: Theater of the World

Volume 17, Number 3, May/June 2018
by Stephanie Bailey


Article Description

In this essay, Stephanie Bailey offers a detailed examination of the Guggenheim New york’s massive survey of Chinese art after 1989, in which she discusses the curatorial concept and its presentation to a Western, in this case american, audience.


Related Keywords

Stephanie Bailey, Guggenheim New York, Art and China after 1989: Theater of the World