About the Chinese Presentation at the 2005 Yokohama Triennale
Volume 4, Number 4, December 2005
by Lu Jie

Asking For It: Everyday Neurosis in Chinese Contemporary Art
Volume 7, Number 4, July/August 2008
by Voon Pow Bartlett

Big, Small, and Potential: Chinese Art in
Spaces and Places
Volume 10, Number 1, January/February 2011
by Robin Peckham

China Power Station: Part 1—Serpentine Gallery Offsite Project at the Battersea Power Station
Volume 6, Number 1, March 2007
by Nav Haq

Contemporary Art with Chinese Characteristics: Shen Fan, Ding Yi, and Xu Zhen
Volume 1, Number 3, November 2002
by Amy Pederson

Mellow Fever: Some Notes on the Rhetoric of the Asian Image and the Temporality of Realism
Volume 7, Number 4, July/August 2008
by Beatrice Leanza

Objectivity, Absurdity, and Social Critique: A Conversation with Hou Hanru
Volume 8, Number 5, September/October 2009
by Michael Zheng

Off-site Art in Shanghai
Volume 9, Number 5, September/October 2010
by Zhao Chuan

The China Project
Volume 8, Number 5, September/October 2009
by Inga Walton

The Second Triennial of Chinese Art: History in the Making
Volume 4, Number 3, September 2005
by Pauline J. Yao

Through Popular Expression, International Project Space, Birmingham, U.K.
Volume 5, Number 2, June 2006
by Sally Lai

Why do it Chinese Version?
Volume 7, Number 2, March/April 2008
by Hu Fang, Hu Yuanxing, Hans Ulrich Obrist

Xu Zhen’s Impossible Is Nothing: A Discussion
Volume 8, Number 3, May/June 2009
by Colin Chinnery, Fu Xiaodong, Gu Zhenqing, Han Yuting, Li Hongyu, Lin Tianmiao, Liu Wei, Lu Jie, Wang Gongxin, Wang Jianwei, Wang Wei, Zhan Wang, and Zhu Yu

Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection at the National Art Museum of China, Beijing
Volume 5, Number 1, March 2006
by Xenia Tetmajer von Przerwa