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1Frank Vigneron
Frank Vigneron received a Ph.D. in Chinese art history from the Paris VII University and a Doctorate of Fine Arts from the Royal Melbourne Institute of Technology. He is now teaching in the Fine Arts Department of the Chinese University of Hong Kong. His publications include Pour et Contre l.Académie: Les traités de pratique picturale en Europe aux 17e et 18e siècles (2010), Académiciens et Lettrés: Analyse comparative de la théorie picturale du 18e siècle en Chine et en Europe (2010), and I Like Hong Kong . . . Art and Deterritorialization (2010).
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“Nice painting” et al. – Different Kinds of
Painting and Related Practices in Hong Kong
Volume 11, Number 6, November/December 2012
by Frank Vigneron
Painting and Related Practices in Hong Kong
Volume 11, Number 6, November/December 2012
by Frank Vigneron
HistoriCITY—A Roundtable on Art Historical Writing in and on Hong Kong
Volume 7, Number 1, January/February 2008
by Chang Tsong-zung, Christina Chu, Pamela Kember, Koon Yee Wan, Lu Peng, Frank Vigneron, Wan Qingli
Volume 7, Number 1, January/February 2008
by Chang Tsong-zung, Christina Chu, Pamela Kember, Koon Yee Wan, Lu Peng, Frank Vigneron, Wan Qingli
Mining or Undermining “Tradition”: Shifts in
the Work of Tony Ng Kwun Lun
Volume 10, Number 4, July/August 2011
by Frank Vigneron
the Work of Tony Ng Kwun Lun
Volume 10, Number 4, July/August 2011
by Frank Vigneron
“No Outside” for Socially Engaged Art Practices? The Reception of the Aesthetic Regime of Art and Its Frequent Malfunctions in Hong Kong
Volume 12, Number 4, July/August 2013
by Frank Vigneron
Volume 12, Number 4, July/August 2013
by Frank Vigneron
Total: 4
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