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1Linda Huang
Linda Huang is a doctoral student specializing in contemporary Chinese art at the Department of History of Art in the Ohio State University. Her research interests include post-humanism, socialist history of technology, new media, digital labor, post-socialism, and transcultural art practices. Her current dissertation project, “Re-imagining Post-socialist Corporeality: Technology, Body, and Nation in Post-Mao Chinese Art,” addresses how the fantasies of information during the post-Mao 1980s affected the development of Chinese media art. She is a recent recipient of Mellon International Dissertation Research Fellowship and Robert H.N. Ho Family Foundation Greater China Research Grant. She has been involved in a series of international curatorial projects, including Front International Triennial (2018) in Cleveland and Nam June Paik and the Conservation of Video Sculpture (2011) in Cincinnati.
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Rethinking the “Human”: Pond Society, Automation Fever, and the Disappearance of the Labouring Body
Volume 18, Number 5, September/October 2019
by Linda Huang
Volume 18, Number 5, September/October 2019
by Linda Huang
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