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1Madeline Eschenburg
Madeline Eschenburg is a Ph.D. candidate in the History of Art and Architecture Department at the University of Pittsburgh. She is currently writing her dissertation on the topic of the relationship between Chinese artists and subaltern subjects in the 1990s, with a special focus on the use of migrant workers in performance art. She has previously published in Yishu: Journal of Contemporary Chinese Art and Contemporaneity: Historical Presence in Visual Culture.
Total: 4
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Archiving Apartment Art: An Interview with Gao Minglu
Volume 16, Number 4, July/August 2017
by Madeline Eschenburg
Volume 16, Number 4, July/August 2017
by Madeline Eschenburg
Fixing Identities: The Use of Migrant Workers in Chinese Performance Art
Volume 16, Number 3, May/June 2017
by Madeline Eschenburg
Volume 16, Number 3, May/June 2017
by Madeline Eschenburg
Knit Together: Movana Chen and the Politics of Identity in a Global Society
Volume 9, Number 3, May/June 2010
by Madeline Eschenburg
Volume 9, Number 3, May/June 2010
by Madeline Eschenburg
Xing Danwen: Revealing the Masquerade of Modernity
Volume 8, Number 4, July/August 2009
by Madeline Eschenburg
Volume 8, Number 4, July/August 2009
by Madeline Eschenburg
Total: 4
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