Yishu - Journal of Contemporary Chinese Art

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Martina Köppel-Yang
Martina Köppel-Yang is an independent art historian and curator with a Ph.D. in East Asian art history and sinology from the University of Heidelberg. She has studied in Heidelberg, Beijing, and Paris, and has written extensively on the subject of contemporary Chinese art. She created Mühlgasse 40, Centre for Contemporary Chinese Art, with her husband, Yang Jiechang, and has curated and co-curated several exhibitions, including Ink—Life—Taste for the Shenzhen International Ink Painting Biennial, 2006, and Ken Lum at Tang Contemporary Art, 2007. Her post-doctoral thesis, “Performing Identity—Political Directives and Contemporary Chinese Art since the 1980s” (working title), concerns the cultural policy of the People’s Republic of China.
Total: 8    Previous    Next    Pages: 1
 
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A Bat’s Life, or Big Brother is Watching You
Volume 2, Number 1, March 2003
by Martina Köppel-Yang
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Black—Extreme—Vigorous—Figurative
Volume 5, Number 1, March 2006
by Martina Köppel-Yang
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From the Heart of Canton
Volume 3, Number 1, March 2004
by Martina Köppel-Yang
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René Block’s Waterloo: Some Impressions of documenta 12, Kassel
Volume 6, Number 4, December 2007
by Yang Jiechang, Martina Köppel-Yang
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The Ping-Pong Policy of Chinese Contemporary Art
Volume 3, Number 2, June 2004
by Martina Köppel-Yang
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The Surplus Value of Accumulation: Some Thoughts
Volume 6, Number 4, December 2007
by Martina Köppel-Yang
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Total: 8    Previous    Next    Pages: 1
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