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1Norman Ford
Norman Ford is an artist, photographer, curator, writer, and educator resident in Hong Kong. He recently completed his Ph.D. at the University of Hong Kong, where he focused on Hong Kong and mainland China’s lens-based media. In 2001–02, he curated Re-considered Crossings: Representation Beyond Hybridity, an arts and cultural exchange between Hong Kong and Vienna. His most recent work includes Con/deCon (2003–05) a photo/video/online project on the commodification of multiculturalism, and ICU, a curatorial strategy group working with networked and public art activities both online and in the city.
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Do “(Hong Kong) Chinese” Artists Dream of Electric Sheep?
Volume 4, Number 4, December 2005
by Norman Ford
Volume 4, Number 4, December 2005
by Norman Ford
On the Road to Venice, or, A Parrot Speaks to Me: The Hong Kong Pavilion at the 52nd Venice Biennale
Volume 6, Number 2, June 2007
by Norman Ford
Volume 6, Number 2, June 2007
by Norman Ford
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