Browse Articles / Writer
1Paul Gladston
Paul Gladston is Senior Lecturer in Critical Theory and Cultural Studies and Director of the Institute of Comparative Cultural Studies at the University of Nottingham, Ningbo, China. He studied fine art at Edinburgh College of Art and Yale University before receiving an M.A. and a Ph.D. in Critical Theory from the University of Nottingham. His recent publications include Art History After Deconstruction (2005) and “Sublime Ruins—Monumental Follies: The Photo(historio)graphy of Erasmus Schroeter,” in Post-Conflict Cultures: Rituals of Representation (2006).
Total: 12
Previous
Next
Pages: 1
(More Writing on) The Wall: Reshaping (Gao Minglu’s Vision of) Contemporary Chinese Art
Volume 6, Number 3, September 2007
by Paul Gladston
Volume 6, Number 3, September 2007
by Paul Gladston
A(n) (In)Decisive Act of Disclosure: Reflections on the ‘85 New Wave Exhibition at the Ullens Centre for Contemporary Art in Beijing
Volume 7, Number 2, March/April 2008
by Paul Gladston
Volume 7, Number 2, March/April 2008
by Paul Gladston
Chan-Da-da(o)-De-construction or, The Cultural (Il)Logic of Contemporary Chinese “Avant-Garde” Art
Volume 7, Number 4, July/August 2008
by Paul Gladston
Volume 7, Number 4, July/August 2008
by Paul Gladston
Lost in Translation: Contemporary Chinese
Art and the Waning of Criticality
Volume 10, Number 1, January/February 2011
by Paul Gladston
Art and the Waning of Criticality
Volume 10, Number 1, January/February 2011
by Paul Gladston
No Matter From Which Side, It Is Still Possible To See: A Review of Karen Smith’s Nine Lives: The Birth of Avant-Garde Art in New China
Volume 5, Number 4, December 2006
by Paul Gladston
Volume 5, Number 4, December 2006
by Paul Gladston
Permanent (R)evolution: Contemporaneity and the Historicization of Contemporary Chinese Art
Volume 9, Number 2, March/April 2010
by Paul Gladston
Volume 9, Number 2, March/April 2010
by Paul Gladston
Permanent (R)evolution: Contemporaneity and the Historicization of Contemporary Chinese Art, Part Two
Volume 9, Number 3, May/June 2010
by Paul Gladston
Volume 9, Number 3, May/June 2010
by Paul Gladston
Recurring Intimations of Disorder: A Conversation with Zhang Peili
Volume 8, Number 2, March/April 2009
by Paul Gladston
Volume 8, Number 2, March/April 2009
by Paul Gladston
Song Ling in Conversation with Paul Gladston
Volume 7, Number 6, November/December 2008
by Paul Gladston
Volume 7, Number 6, November/December 2008
by Paul Gladston
Spoiling at the Margins: A Critical Review of Re-Writing Culture in Taiwan
Volume 9, Number 1, January/February 2010
by Paul Gladston
Volume 9, Number 1, January/February 2010
by Paul Gladston
State of the Art: Davide Quadrio in Conversation with Paul Gladston
Volume 9, Number 1, January/February 2010
by Paul Gladston
Volume 9, Number 1, January/February 2010
by Paul Gladston
Writing on The Wall (and Entry Gate): A Critical Response to Recent Curatorial Meditations on the "Chineseness" of Contemporary Chinese Visual Art
Volume 6, Number 1, March 2007
by Paul Gladston
Volume 6, Number 1, March 2007
by Paul Gladston
Total: 12
Previous
Next
Pages: 1