Yishu - Journal of Contemporary Chinese Art

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Robert C. Morgan
Robert C. Morgan is an international critic, artist, curator, and essayist based in New York City. He holds an M.F.A. in sculpture and a Ph.D. in contemporary art history and currently teaches at Pratt Institute and the School of Visual Arts in New York. Professor Morgan has curated over seventy exhibitions and has had numerous exhibitions of his own work in painting, photography, and performance. In 1999, he received the first Arcale Award in International Art Criticism from the Municipality in Salamanca (Spain) and a Fulbright senior scholar award in 2005 to conduct research on the traditional arts and their influence on the Korean avant-garde. He has authored many publications, including The End of the Art Work (1998), Bruce Nauman (2002), and The Artist and Globalization (2008).
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On Connoisseurship in the Marketing of Contemporary Chinese Art
Volume 8, Number 6, November/December 2009
by Robert C. Morgan
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Revolution and Power: The Paintings of Duan

Volume 11, Number 1, January/February 2012
by Robert C. Morgan
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Zeng Fanzhi: A Marxist Critique
Volume 7, Number 4, July/August 2008
by Robert C. Morgan
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Zhang Jian-Jun: Memory and the Process of Historical Time
Volume 6, Number 3, September 2007
by Robert C. Morgan
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