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1Shing-Kwan Chan
Shing-Kwan Chan is a Hong Kong-based researcher and an aspiring art historian who recently graduated with a master’s degree in the history of art and visual culture at the University of Oxford, United Kingdom. Supported by the Arnold, Bryce, and Read Fund and the St. Cross Travel & Research Fund, his master’s dissertation examines abjection, resistance, and Chinese performance art in the 1990s. A copy of his dissertation is kept at Oxford’s Sackler Library. Chan is currently a research assistant at his alma mater, the University of Hong Kong. His recent academic interests include twentieth-century Chinese art, consumerism, and visual culture.
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Public Displays of Affliction: On Zhang Huan’s 12m2
Volume 17, Number 1, January/February 2018
by Shing-Kwan Chan
Volume 17, Number 1, January/February 2018
by Shing-Kwan Chan
Up Against the Wall: Contemporary Chinese Performance Art and the Great Wall
Volume 18, Number 5, September/October 2019
by Shing-Kwan Chan
Volume 18, Number 5, September/October 2019
by Shing-Kwan Chan
Total: 2
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