Yishu - Journal of Contemporary Chinese Art

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Yeung Tin Ping
Yeung Tin Ping is currently an M.A. student of the History of Art program at the Courtauld Institute of Art, specializing in modern and contemporary Chinese art in the class of Dr. Wenny Teo. He graduated from the Courtauld Institute in 2019 with a First Class Honours degree in B.A. History of Art. His research interests include modern and contemporary Asian art histories. His essay “Observation, Intervention, and Documentation as Tactics: Post-Umbrella Movement Trauma and Visibility in Pak Sheung Chuen’s Video Installations” was published in the September/October 2018 Issue of Yishu. He worked as a curatorial intern at the University Museum and Art Gallery of the University of Hong Kong, an archive intern on the Ha Bik Chuen Archive Project initiated by the Asia Art Archive in 2016, and a program intern at the Hong Kong Arts Centre.
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Identity Politics and Cultural Hybridity in Zheng Bo’s Sing for Her
Volume 18, Number 6, November/December 2019
by Yeung Tin Ping
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