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1Zhou Yan
Zhou Yan is a critic who received his B.A. in philosophy from Sun Yat-sen University, Guangzhou, China; M.A. in art history, Central Academy of Fine Arts, Beijing, China; and Ph.D. in art history, Ohio State University, Columbus, Ohio, USA. He is the co-author of A History of Chinese Contemporary Art: 1985–1986 (1991) and has written a series of critical articles on Chinese art and culture
and translated Art and Illusion (E. H. Gombrich) and The Power of the Center (Rudolph Arnheim) into Chinese. He was also involved in China’s Avant-Garde movement of the 1980s and co-organized the exhibition
China/Avant-Garde at the National Art Museum of China, Beijing (1989). Currently, he is working as an adjunct professor and visual resources curator at Kenyon College, Ohio, and teaching histories of modern and
contemporary Chinese art. He is a research fellow at the Contemporary Art Research Institute, Tianjin Academy of Fine Arts, China.
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Chinese Brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary Chinese Art
Volume 5, Number 1, March 2006
by Zhou Yan
Volume 5, Number 1, March 2006
by Zhou Yan
Displaced Cultural Landscape and Manufactured Landscapes: The Three Gorges Project in Art
Volume 11, Number 6, November/December 2012
by Zhou Yan
Volume 11, Number 6, November/December 2012
by Zhou Yan
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