Writing on The Wall (and Entry Gate): A Critical Response to Recent Curatorial Meditations on the "Chineseness" of Contemporary Chinese Visual Art

Volume 6, Number 1, March 2007
by Paul Gladston


Article Description

A critical response to Gao Minglu's discussion of the theoretical and conceptual frameworks deployed and developed for the exhibition The Wall: Reshaping Contemporary Chinese Art.


Related Keywords

Gao Minglu, The Wall: Reshaping Contemporary Chinese Art, Paul Gladston, Chineseness