On Continuum and Radical Disruption: The Venice Gathering

Volume 16, Number 5, September/October 2017
by Jo-Anne Birnie Danzker


Article Description

Jo-Anne Birnie Danzker examines the exhibition at the China Pavilion, which brought together individual works as well as collaborations between folk artists and contemporary artists. She probes the challenges of attempting to convey traditional Chinese communal means of creativity to such a diverse audience as that attending Venice.


Related Keywords

Jo-Anne Birnie Danzker, China Pavilion, 57th Venice Biennale, Continuum, folk artists, contemporary artists