Observation, Intervention, and Documentation as Tactics: Post-Umbrella Movement Trauma and Visibility in Pak Sheung Chuen’s Video Installations

Volume 17, Number 5, September/October 2018
by Yeung Tin Ping


Article Description

Yeung Tin Ping revisits the work of Pak Sheung Chuen, whose work we featured earlier this year in Yishu 84, and takes a look at this artist’s endeavours through his recent video work, to address contentious questions around the occupation and ownership of public space in Hong Kong.


Related Keywords

Yeung Tin Ping, Pak Sheung Chuen, video installation, intervention, documentation, Post-Umbrella Movement, Hong Kong, public space