Yishu - Journal of Contemporary Chinese Art

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Liu Ding and Carol Yinghua Lu
Liu Ding is a Beijing-based artist and curator. He has participated in international biennials such as 2015 Istanbul Biennial, 2015 Asia Pacific Triennial, 2014 Shanghai Biennial, 2014 Prospect 3 New Orleans, 2012 Taipei Biennial, Chinese Pavilion of 2009 Venice Biennial, 2008 Media City Seoul, and 2005 Guangzhou Triennial. His works have been presented in and collected by many art institutions and museums across the world.; Carol Yinghua Lu is an art critic and curator. She is a Ph.D. scholar in art history at the University of Melbourne and director of Beijing Inside-Out Art Museum. She is a contributing editor at Frieze and is on the advisory board of The Exhibitionist. As a curatorial team, Liu Ding and Carol Yinghua Lu have curated Liberation (2010), Little Movements: Self-practice in Contemporary Art I\\II\\III (2011, 2013, 2015), The 7th Shenzhen Sculpture Biennale (Accidental Message: Art is Not a System, Not a World) (2012), From the Issue of Art to the Issue of Position: Echoes of Socialist Realism (2014), New Measurement and Qian Weikang: Two Case Studies in Early Chinese Conceptual Art (2015), Salon Salon: Fine Art Practices from 1972 to 1982 in Profile—A Beijing Perspective (2015) and Factories, Machines, and the Poet’s Words: Echoes of the Realities in Art (2019). Their ongoing practice of exhibition- and publication-making establishes organic connections between history and the contemporary, investigates and narrates historical realities from multiple perspectives. They intend to generate narratives of the subjectivity in Chinese art from a diversity of entry points that are closely related to the intellectual tradition in China.
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Action Plans
Volume 19, Number 5/6, November/December 2020
by Liu Ding and Carol Yinghua Lu
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