Yishu - Journal of Contemporary Chinese Art

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Vennes Cheng Sau-Wai
Vennes Cheng Sau Wei is a scholar, researcher, writer, and independent curator based in Hong Kong. She is currently a Ph.D. candidate in Art History at the Chinese University of Hong Kong. Her papers “The Year of 1967, Mnemosyne of Absence in Leung Chi Wo’s Works of Art” and “The suspended law and arbitrary border” were selected and presented at the 22nd Biennial Conference of the European Association for Chinese Studies in Glasgow and the “Symposium: Borders Inside and Out: Representing the Border Across Cultures,” organized by CUHK in 2018, respectively. In September 2019, her paper “Archival Plunge: Art-historic reenactment in contemporary Hong Kong” was selected for the “Aesthetics, Society and the Travels of Critical Theory” International Conference that took place in Beijing Normal University. Cheng’s articles on Hong Kong and Chinese contemporary art were published in Visual Art Archive in Asia and Hong Kong Studies. She is one of the selected emerging art professionals of Para Site in 2018. An awardee of UK Chevening Scholarship in 2015/2016, she received an M.A. in Cultural Studies from Goldsmiths, University of London and B.A. in Comparative Literature from The University of Hong Kong.
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Solidarity in Interesting Times: Hong Kong and Taiwan at the 58th Venice Biennale 2019
Volume 18, Number 6, November/December 2019
by Vennes Cheng Sau-Wai
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