Yishu - Journal of Contemporary Chinese Art

Browse Articles by Medium / Photography

 
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“Nice painting” et al. – Different Kinds of
Painting and Related Practices in Hong Kong

Volume 11, Number 6, November/December 2012
by Frank Vigneron
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I am your Monolith, 2020
Volume 20, Number 1, Spring/Summer 2021
by Zhang O
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nothingness was not: A New World
Volume 16, Number 1, January/February 2017
by Voon Pow Bartlett
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Words about Memories but Not Exactly: On Leung Chi Wo’s Artistic Practice
Volume 15, Number 3, May/June 2016
by Carol Yinghua Lu
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A Bridge to the Forgotten: Remembrance in Shao
Yinong and Muchen’s The Assembly Halls

Volume 12, Number 6, November/December 2013
by Shan Windscript
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A Conversation Between Huang Du
and Cui Xiuwen

Volume 10, Number 3, May/June 2011
by Huang Du
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A Conversation with Ai Weiwei
Volume 7, Number 4, July/August 2008
by Jo-Anne Birnie Danzker
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A Conversation with Cai Dongdong
Volume 18, Number 1, January/February 2019
by Tansy Xiao
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A Cry from the Narrow Between: Eros and Thanatos in the Works of Tejal Shah and Han Bing
Volume 9, Number 6, November/December 2010
by Maya Kovskaya
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A Queer Way of Life: Ren Hang’s Photograph
Volume 20, Number 1, Spring/Summer 2021
by Anthony Hongwei Bao
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A Review of the 2011 Chengdu Biennale
Volume 11, Number 2, March/April 2012
by Sophia Kidd
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A Space in Time: Reflections on Developments in Contemporary Art in Taiwan
Volume 7, Number 1, January/February 2008
by Sophie McIntyre
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A Strange Heaven: Contemporary Chinese Photography

Volume 2, Number 4, December 2003
by Chang Tsong-zung
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About Pinwheels and Treasure Maps: A Conversation with Birdhead
Volume 18, Number 3, May/June 2019
by Alexandra Grimmer
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Acting Out From Atopia: The Taiwan Pavilion at the 52nd Venice Biennale
Volume 6, Number 2, June 2007
by Hongjohn Lin
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Ai Weiwei at Robert Miller Gallery
Volume 3, Number 4, December 2004
by Jonathan Goodman
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Amazing Grace: Contemporary Chinese Christian Art
Volume 16, Number 1, January/February 2017
by Patricia Eichenbaum Karetzky
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An International Discourse on New Chinese Video and Photography
Volume 3, Number 2, June 2004
by Britta Erickson, Betti-Sue Hertz, Barbara London, Xu Bing
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An Interview with Michael Lin
Volume 4, Number 1, March 2005
by Hou Hanru
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Barricades: The Big Tail Elephants
Volume 3, Number 1, March 2004
by Hou Hanru
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Big China, Strong China: Alice Schmatzberger in Conversation with Wang Qingsong
Volume 8, Number 3, May/June 2009
by Alice Schmatzberger
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Body Language: Contemporary Chinese Photography
Volume 7, Number 4, July/August 2008
by Inga Walton
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Bomu: Don’t Fence Me In
Volume 10, Number 4, July/August 2011
by Patricia Eichenbaum Karetzky
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Caochangdi PhotoSpring—Arles in Beijing
Volume 11, Number 4, July/August 2012
by John Millichap
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Capturing the Traces of Everyday Life
Volume 15, Number 6, November/December 2016
by Echo He
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Censorship and Stereotypes of Senior Women in Chinese Visual Culture
Volume 20, Number 1, Spring/Summer 2021
by Yan Zhou
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Chen Jiagang: The Great Third Front
Volume 8, Number 1, January/February 2009
by Jonathan Goodman
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Chen Qiulin: One Hundred Names
Volume 15, Number 3, May/June 2016
by Lisa Catt
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Chen Shaoxiong: Collective Memory—Foshan
Volume 13, Number 4, July/August 2014
by David Ho Yeung Chan
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China Urban: An Interview with Xie Xiaoze
Volume 8, Number 4, July/August 2009
by Lisa Claypool
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China: Grain to Pixel
Volume 16, Number 2, March/April 2017
by Inga Walton
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Cloud (on Liang Shaoji’s work)
Volume 6, Number 3, September 2007
by Marianne Brouwer
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Conroy/Sanderson: Two Heads Are Better Than One
Volume 8, Number 2, March/April 2009
by Patricia Eichenbaum Karetzky
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Construction and Expansion of Contemporary Art
Volume 7, Number 1, January/February 2008
by Shen Kuiyi
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Contemporary Ink: In Service of the Everyday
Volume 7, Number 1, January/February 2008
by Pauline J. Yao
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Context, Challenge, Conversion:
Chinese Feminism via Contemporary Art

Volume 14, Number 5, September/October 2015
by Taliesin Thomas
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Conversation with Siu King-Chung about the
Community Museum Project

Volume 15, Number 2, March/April 2016
by Sally Lai
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Cui Xiuwen: Walking on Broken Glass
Volume 9, Number 3, May/June 2010
by Patricia Eichenbaum Karetzky
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Curatorial Notes: Gu Dexin’s 2005.03.05 at the Shanghai Gallery of Art
Volume 4, Number 3, September 2005
by David Ho Yeung Chan
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Dialogue with Hans Ulrich Obrist and Hou Hanru on the 2nd Guangzhou Triennial
Volume 4, Number 1, March 2005
by Sun Xiaofeng, Hou Hanru, Hans Ulrich Obrist
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Dissociative Sociability and the Mirror Effect: On Xing Danwen’s Socio-Optics
Volume 18, Number 1, January/February 2019
by Mostafa Heddaya
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Do We Have Time for the Subtleties of Guohua?
Volume 7, Number 1, January/February 2008
by Britta Erickson
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Dong Wensheng: Archaeologies of Corporeality
Volume 8, Number 4, July/August 2009
by Mathieu Borysevicz
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Emerging from Behind the Screen of Female Art
Volume 2, Number 3, September 2003
by Yang Li, Gu Zhenqing
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Excerpts fom Yang Shaobin’s Notebook: A Textual Interpretation of X-Blind Spot
Volume 8, Number 1, January/February 2009
by Long March Writing Group
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Exhibition Culture and the Art Market
Volume 6, Number 4, December 2007
by Yü Christina Yü
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Experimental Material: Desire and Intimacy in the Work of Pixy Liao
Volume 19, Number 4, July/August 2020
by Luise Guest
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Feng Yan: Photography Objectified

Volume 12, Number 5, September/October 2013
by Jonathan Goodman
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Framed Authors: Photography and Conceptual Art from Dafen Village
Volume 7, Number 4, July/August 2008
by Winnie Won Yin Wong
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He Chongyue: Layers of Time and Space
Volume 12, Number 6, November/December 2013
by Alice Schmatzberger
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Heroes of the Mundane: The Syncretic Imagination of Cao Fei
Volume 5, Number 4, December 2006
by Maya Kovskaya
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Hong Lei at Chambers Fine Art
Volume 5, Number 4, December 2006
by Jonathan Goodman
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How Three Begets Many Things: RongRong & inri and the Three Shadows Photography Art Centre
Volume 10, Number 1, January/February 2011
by Alice Schmatzberger
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In Search of the Real Thing: Contemporary Art in Hong Kong
Volume 6, Number 3, September 2007
by John Millichap
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Invisible City
Volume 2, Number 1, March 2003
by Amy Huei-Hua Cheng
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Jin Feng: Art Is a Way of Life: A Case Study from 2003 to Today
Volume 8, Number 2, March/April 2009
by Biljana Ciric
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Karaoke Hyperspace: Gu Xiong’s Red River as a Study of Place-making
Volume 7, Number 6, November/December 2008
by April Liu
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Limbo Zone
Volume 2, Number 2, June 2003
by Lin Shu-min
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Liu Ding: Frameworks Framed
Volume 9, Number 1, January/February 2010
by David Spalding
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Lost and Found: In Search of Shanghai\'s Art History
Volume 9, Number 1, January/February 2010
by Rebecca Catching
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Making Worlds: The 53rd Venice Biennale
Volume 8, Number 5, September/October 2009
by Jo-Anne Birnie Danzker
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Michael Lin: The Colour Is Bright, the Beauty Is Generous
Volume 10, Number 3, May/June 2011
by Katie Hill
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Mo Yi at Three Shadows Photography
Art Centre, Beijing

Volume 9, Number 6, November/December 2010
by Jonathan Goodman
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Mo Yi: An Ethnographer in Contemporary Chinese Art
Volume 6, Number 3, September 2007
by Wu Hung
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Navin Rawanchaikul, Super China!
Volume 8, Number 4, July/August 2009
by Ellen Pearlman
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O Zhang’s Recent Works
Volume 10, Number 3, May/June 2011
by Patricia Eichenbaum Karetzky
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Objectivity, Absurdity, and Social Critique: A Conversation with Hou Hanru
Volume 8, Number 5, September/October 2009
by Michael Zheng
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On Curating Cruel/Loving Bodies
Volume 4, Number 1, March 2005
by Sasha Su-Ling Welland
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On Lingchi: Echoes of a Historical Photograph
Volume 2, Number 1, March 2003
by Amy Huei-Hua Cheng
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On Producing Strategy: Sun Yuan and Peng Yu’s “Hong Kong Intervention”
Volume 12, Number 4, July/August 2013
by Stephanie Bailey
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On Representations of Sex and Race in Ye Funa’s Odalisque Funa and After Dinner Party
Volume 20, Number 1, Spring/Summer 2021
by Clara Che Wei Peh
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On the Edge Visiting Artists Program
Volume 4, Number 2, June 2005
by Britta Erickson
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On the Spot: The Stanford Visiting Artists Program
Volume 4, Number 2, June 2005
by Pauline J. Yao
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Only When Things Belong to the World, Can They Belong to a Nation
Volume 7, Number 1, January/February 2008
by Lu Hong
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Outside In: Chinese x American x Contemporary Art
Volume 8, Number 4, July/August 2009
by Sohl Lee
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Phantasmagoria: Recent Photographs by Miao Xiaochun
Volume 4, Number 3, September 2005
by Wu Hung
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Pictorial City: Chinese Urbanism and
Contemporary Photography

Volume 10, Number 6, November/December 2011
by Alice Schmatzberger
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Projecting Dreams: Liu Jianhua's Spiritual Things
Volume 9, Number 1, January/February 2010
by Monica Dematté
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Qiu Zhijie at Chambers Fine Art
Volume 8, Number 5, September/October 2009
by Jonathan Goodman
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Reboot—The Third Chengdu Biennale: A Review
Volume 7, Number 1, January/February 2008
by Michael Hatch
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Research in Motion: An Interview with Will Kwan
Volume 9, Number 2, March/April 2010
by Alissa Firth-Eagland and Johan Lundh
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Review of 3030: New Photography in China
Volume 6, Number 1, March 2007
by Philip Tinari
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Rong Rong’s East Village at Chambers Fine Art
Volume 2, Number 3, September 2003
by Jonathan Goodman
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RongRong & inri: More Photographs in the
River of Time

Volume 11, Number 3, May/June 2012
by Britta Erickson
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Shu Yong: Mediator of Bodies
Volume 8, Number 6, November/December 2009
by Erik Bordeleau
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Subjective Endeavours. Re-Imagining Asia: A Thousand Years of Separation
Volume 7, Number 4, July/August 2008
by Birgit Hopfener
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Taipei Biennial 2006
Volume 6, Number 1, March 2007
by Susan Kendzulak
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The 10th Istanbul Biennial—Staging a Communitarian Utopia
Volume 7, Number 1, January/February 2008
by Hilary Tsui
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The 8th Shanghai Biennale: Rehearsal
Volume 10, Number 1, January/February 2011
by Xhingyu Chen
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The April Photography Society: A Re-evaluation of Origins, Artworks, and Aims
Volume 16, Number 5, September/October 2017
by Adam Monohon
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The China Project
Volume 8, Number 5, September/October 2009
by Inga Walton
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The Constructed Reality of Immigrants: Fang Tong’s Contrived Photography
Volume 16, Number 5, September/October 2017
by Dong Yue Su
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The Culture of Abstractions
Volume 11, Number 2, March/April 2012
by Stephanie Bailey
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The Gao Brothers: All the World’s a Stage
Volume 6, Number 3, September 2007
by Patricia Eichenbaum Karetzky
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The Great Economic Retreat: New Images of Urban China
Volume 8, Number 2, March/April 2009
by Zheng Shengtian
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The Guangzhou Art Scene: Today and Tomorrow
Volume 9, Number 4, July/August 2010
by Biljana Ciric
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The Invisible, Ever-present Past: Taca Sui’s Steles/ Huang Yi Project
Volume 17, Number 3, May/June 2018
by Daniel M. Greenberg
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The Night Revels: Wang Qingsong in Conversation with Danielle Shang
Volume 10, Number 5, September/October 2011
by Danielle Shang
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The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001
Volume 12, Number 5, September/October 2013
by Wang Ruobing
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The Technological Society Revisited: A Conversation with Feng Mengbo
Volume 12, Number 4, July/August 2013
by Lisa Claypool
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The U-thèque Organization: An End or a Beginning?
Volume 2, Number 2, June 2003
by Ou Ning
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The Way and Its Demons: Art, Politics, and Denial in Lyon
Volume 3, Number 3, September 2004
by Philip Tinari
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Thin Slices: Michael Cherney's Images of China
Volume 5, Number 2, June 2006
by Hui-shu Lee
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Too Much Flavor at Chambers Fine Art
Volume 2, Number 2, June 2003
by Xenia Tetmajer von Przerwa
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Translating the Translocal Experience: Gu Xiong\'s I Am Who I Am
Volume 1, Number 1, May 2002
by Melanie O’Brian
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Tseng Kwong Chi at Chambers Fine Art

Volume 2, Number 4, December 2003
by Jonathan Goodman
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Unauthorized Archive: Profane Illumination in
Chen Chieh-jen’s Works

Volume 12, Number 1, January/February 2013
by Chou Yu-ling
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Us and Our Shanghai: A Dialogue Between Biljana Ciric and Song Tao
Volume 7, Number 5, September/October 2008
by Biljana Ciric
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Wall-gazers and Nothing-doers: A Review of Song Dong Doing Nothing
Volume 12, Number 4, July/August 2013
by Liz Park
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Wang Lang and Liu Xin Hua: Mission Accomplished
Volume 7, Number 2, March/April 2008
by Mathieu Borysevicz
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Wang Wo: Not a Gaze but a Concerned Glance
Volume 13, Number 6, November/December 2014
by Alice Schmatzberger
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We Are Polit-Sheer-Form
Volume 10, Number 5, September/October 2011
by Mathieu Borysevicz
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Welcome to the Birdhead World Again, London
Volume 11, Number 4, July/August 2012
by Voon Pow Bartlett
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Wen Fang: The Path of Art—From Observing to Getting Involved
Volume 10, Number 3, May/June 2011
by Alice Schmatzberger
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What Goes Around Comes Around: Taking
a Spin Around the 2010 Taipei Biennial

Volume 10, Number 1, January/February 2011
by Pauline J. Yao
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WOMEN 我們
Volume 12, Number 2, March/April 2013
by Alpesh Kantilal Patel
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Wu Gaozhong: Sites of Intimate Remembrance that Get Under the Skin
Volume 8, Number 2, March/April 2009
by Maya Kovskaya
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Xiao Lu: The Confluence of Life and Art
Volume 8, Number 2, March/April 2009
by Jonathan Goodman
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Xing Danwen: Revealing the Masquerade of Modernity
Volume 8, Number 4, July/August 2009
by Madeline Eschenburg
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Xu Yong: Photographer of the Vanishing Past and the Emerging Future of China
Volume 7, Number 6, November/December 2008
by Patricia Eichenbaum Karetzky
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Xu Yong’s This Face
Volume 10, Number 6, November/December 2011
by Patricia Eichenbaum Karetzky
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Xu Zhen’s Impossible Is Nothing: A Discussion
Volume 8, Number 3, May/June 2009
by Colin Chinnery, Fu Xiaodong, Gu Zhenqing, Han Yuting, Li Hongyu, Lin Tianmiao, Liu Wei, Lu Jie, Wang Gongxin, Wang Jianwei, Wang Wei, Zhan Wang, and Zhu Yu
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Yin Xiuxen: A Material World
Volume 12, Number 2, March/April 2013
by Stephanie Bailey
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Zhang Kechun: Photographing “China’s Sorrow”
Volume 15, Number 4, July/August 2016
by Adam Monohon
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Zhang O: In Transit
Volume 3, Number 3, September 2004
by Patricia Eichenbaum Karetzky
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Zhong Biao and the “Grobal” Imagination
Volume 6, Number 4, December 2007
by Paul Manfredi
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