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(Pseudo) Nature: Nadim Abbas in Conversation
Volume 13, Number 4, July/August 2014
by Stephanie Bailey

52nd Venice Biennale
Volume 6, Number 3, September 2007
by Wenny Teo

Cai Guo-Qiang: Peasant da Vincis and World Expos
Volume 15, Number 1, January/February 2016
by Clara Galeazzi

Continuum—Generation by Generation: The Continuation of Artistic Creation at the 57th Venice Biennale: A Conversation with Tang Nannan
Volume 16, Number 5, September/October 2017
by Ornella De Nigris

Frog King: Totem: An Evolution
Volume 15, Number 2, March/April 2016
by Valerie C. Doran

Liquid Space: A Conversation with Zheng Chongbin
Volume 18, Number 5, September/October 2019
by Lisa Claypool

New Man: Liu Ding’s Approach and Situation
Volume 15, Number 2, March/April 2016
by Luan Zhichao

Nur: Jamelie Hassan’s History of the Present
Volume 15, Number 1, January/February 2016
by Julian Haladyn

Really, Socialism?!
Volume 15, Number 2, March/April 2016
by Kang Kang

Unlived by What Is Seen: A Conversation with Sun Yuan
Volume 14, Number 6, November/December 2015
by Anthony Yung

Words about Memories but Not Exactly: On Leung Chi Wo’s Artistic Practice
Volume 15, Number 3, May/June 2016
by Carol Yinghua Lu

Wu Street: Tracing Lineages of the
Internationalization of the Art World
Volume 11, Number 1, January/February 2012
by Orianna Cacchione

A Conversation with Hu Xiaoyuan and Qiu Xiaofei
Volume 8, Number 5, September/October 2009
by Danielle Shang

A Conversation with Shen Yuan
Volume 6, Number 1, March 2007
by Cécile Bourne

A Dialogue on Contemporary Chinese Art: The One-Day Workshop “Meaning, Image, and Word”
Volume 4, Number 4, December 2005
by Tsao Hsingyuan

A Lexicon for Seeing the World: Xu Bing, Language, and Nature
Volume 17, Number 6, November/December 2018
by Maya Kóvskaya

A Potent Force: Duan Jianyu and Hu Xiaoyuan
Volume 12, Number 4, July/August 2013
by Edward Sanderson

A Review of the 2011 Chengdu Biennale
Volume 11, Number 2, March/April 2012
by Sophia Kidd

A Secret Anti-modernist: Sui Jianguo and His Retirement Project
Volume 7, Number 3, May/June 2008
by Chang Tsong-zung

A Space in Time: Reflections on Developments in Contemporary Art in Taiwan
Volume 7, Number 1, January/February 2008
by Sophie McIntyre

A Tale of Two Biennales: Singapore and Shanghai
Volume 5, Number 4, December 2006
by Joe Martin Hill

A(n) (In)Decisive Act of Disclosure: Reflections on the ‘85 New Wave Exhibition at the Ullens Centre for Contemporary Art in Beijing
Volume 7, Number 2, March/April 2008
by Paul Gladston

AAA Project: Review of A-Z, 26 Locations to Put Everything
Volume 8, Number 1, January/February 2009
by Melissa Lam

About Arrivals and Departures: New Perspectives on Hong Kong Art
Volume 6, Number 2, June 2007
by Howard Chan, Sally Lai, Yuen Fong Ling, Siu King-Chung

About Between Past and Future: New Photography and Video from China
Volume 3, Number 2, June 2004
by Wu Hung

About Export—Cargo Transit: An Interview with Liu Jianhua
Volume 6, Number 4, December 2007
by David Ho Yeung Chan

About the Chinese Presentation at the 2005 Yokohama Triennale
Volume 4, Number 4, December 2005
by Lu Jie

Acting Out From Atopia: The Taiwan Pavilion at the 52nd Venice Biennale
Volume 6, Number 2, June 2007
by Hongjohn Lin

Ai Weiwei at Robert Miller Gallery
Volume 3, Number 4, December 2004
by Jonathan Goodman

All Good Things Are Frail: Lin Tianmiao in Conversation with Lu Jie
Volume 7, Number 6, November/December 2008
by Lu Jie

Amazing Grace: Contemporary Chinese Christian Art
Volume 16, Number 1, January/February 2017
by Patricia Eichenbaum Karetzky

An Antithesis to Conceptualism:
On Zhang Peili

Volume 10, Number 6, November/December 2011
by Huang Zhuan

An interview with Gu Wenda
Volume 9, Number 4, July/August 2010
by Claire Huot

An Interview with Hu Jieming
Volume 4, Number 1, March 2005
by Shan Yingwen

An Interview with Michael Lin
Volume 4, Number 1, March 2005
by Hou Hanru

An Interview with Xu Bing: Nonsensical Spaces and Cultural Tattoos
Volume 4, Number 4, December 2005
by April Liu

Annysa Ng: A Matter of Life and Death
Volume 10, Number 6, November/December 2011
by Stephanie Bailey

Anti-C.S.X.: A Discussion of Chen Shaoxiong’s Solo Exhibition
Volume 3, Number 1, March 2004
by n/a

Artworks for the Long March Yan'an Project
Volume 5, Number 3, September 2006
by n/a

At the Heart of the Battle: The Creative Thinking and Practice of Liu Ding
Volume 13, Number 6, November/December 2014
by Su Wei

Becoming Landscape: Diffractive Unfoldings of Light, Space, and Matter in the New Work of Zheng Chongbin
Volume 14, Number 6, November/December 2015
by Maya Kóvskaya

Better City, Better Art? An Overview of Art at the World Expo 2010
Volume 9, Number 6, November/December 2010
by Xhingyu Chen

Between Truth and Fiction: Notes on Fakes, Copies and Authenticity in Contemporary Chinese Art
Volume 4, Number 2, June 2005
by Pauline J. Yao

Beyond the Body

Volume 2, Number 4, December 2003
by Mark Bessire

Big Tail Elephants in the 1990s
Volume 2, Number 2, June 2003
by Lin Yilin

Big, Small, and Potential: Chinese Art in
Spaces and Places
Volume 10, Number 1, January/February 2011
by Robin Peckham

Blackbirds and Growing Pains: A Conversation with Rutherford Chang
Volume 13, Number 4, July/August 2014
by Matthew Ryan Smith

Black—Extreme—Vigorous—Figurative
Volume 5, Number 1, March 2006
by Martina Köppel-Yang

Blind but not Foreign: Gao Weigang and the New Insider-Outsider Art
Volume 8, Number 6, November/December 2009
by Robin Peckham

Bombs Away! Cai Guoqiang’s Bunker Museum of Contemporary Art
Volume 3, Number 4, December 2004
by Susan Kendzulak

Bomu: Don’t Fence Me In
Volume 10, Number 4, July/August 2011
by Patricia Eichenbaum Karetzky

Both Connected and Isolated: Biljana Ciric in Conversation with Li Pinghu
Volume 8, Number 3, May/June 2009
by Biljana Ciric

Cai Guo-Qiang: A Lifelong Journey into the Spirit of Painting
Volume 17, Number 3, May/June 2018
by Marta Blàvia

Cai Guo-Qiang: I Want to Believe
Volume 7, Number 3, May/June 2008
by Jonathan Goodman

Cai Guo-Qiang: Sky Ladder
Volume 11, Number 6, November/December 2012
by Orianna Cacchione

Canton Express
Volume 3, Number 1, March 2004
by Hou Hanru

Change and Fabrication: The Body as Site for the Feminine and the Intercultural
Volume 2, Number 3, September 2003
by Lesley Sanderson

Chen Qiulin: One Hundred Names
Volume 15, Number 3, May/June 2016
by Lisa Catt

Chen Zhen at P.S. 1
Volume 2, Number 3, September 2003
by Jonathan Goodman

China Park
Volume 9, Number 4, July/August 2010
by Gu Wenda

China Power Station: Part 1—Serpentine Gallery Offsite Project at the Battersea Power Station
Volume 6, Number 1, March 2007
by Nav Haq

China Reinvented: The Art of Overseas Chinese Artists in the United States

Volume 2, Number 4, December 2003
by Melissa Chiu

Chinese Brand and Chinese Method: On the Exhibition The Wall: Reshaping Contemporary Chinese Art
Volume 5, Number 1, March 2006
by Zhou Yan

Ching Ho Cheng: A Reintroduction
Volume 7, Number 1, January/February 2008
by Jonathan Goodman

Chopsticks: Song Dong and Yin Xiuzhen at
Chambers Fine Art
Volume 2, Number 1, March 2003
by Jonathan Goodman

Cityscapes, Crazy Consumption, and Collective Memory: Chen Shaoxiong\'s Mimetic Reality
Volume 6, Number 1, March 2007
by Rosalind Holmes

Cloud (on Liang Shaoji’s work)
Volume 6, Number 3, September 2007
by Marianne Brouwer

Conroy/Sanderson: Two Heads Are Better Than One
Volume 8, Number 2, March/April 2009
by Patricia Eichenbaum Karetzky

Construction and Expansion of Contemporary Art
Volume 7, Number 1, January/February 2008
by Shen Kuiyi

Containers, Napoleon’s Bicorne Hat,
Snake: Huang Yong Ping Talks about Empires at Monumenta, Paris
Volume 16, Number 1, January/February 2017
by Yu Hsiao Hwei

Contemporary Chinese Art in Vancouver
Introduction to Yellow Signal: New Media
in China
Volume 11, Number 3, May/June 2012
by Zheng Shengtian

Contemporary Ink: In Service of the Everyday
Volume 7, Number 1, January/February 2008
by Pauline J. Yao

Conversation with Siu King-Chung about the
Community Museum Project
Volume 15, Number 2, March/April 2016
by Sally Lai

Cui Fei at The Warehouse Gallery,
Syracuse University
Volume 10, Number 1, January/February 2011
by Jonathan Goodman

Curatorial Notes: Gu Dexin’s 2005.03.05 at the Shanghai Gallery of Art
Volume 4, Number 3, September 2005
by David Ho Yeung Chan

Dialogue with Hans Ulrich Obrist and Hou Hanru on the 2nd Guangzhou Triennial
Volume 4, Number 1, March 2005
by Sun Xiaofeng, Hou Hanru, Hans Ulrich Obrist

Dis/Placement: Yin Xiuzhen’s City Installations
Volume 4, Number 1, March 2005
by Peggy Wang

Dissociative Sociability and the Mirror Effect: On Xing Danwen’s Socio-Optics
Volume 18, Number 1, January/February 2019
by Mostafa Heddaya

Do We Have Time for the Subtleties of Guohua?
Volume 7, Number 1, January/February 2008
by Britta Erickson

documenta 12
Volume 6, Number 3, September 2007
by Jo-Anne Birnie Danzker

Doubled Meanings: Reading Wang Gongxin’s The Sky of Brooklyn—Digging a Hole in China
Volume 16, Number 6, November/December 2017
by Katherine Grube

Dreaming through Art: On Chen Hui-chiao
Volume 8, Number 5, September/October 2009
by Chia Chi Jason Wang

Eager Paintings, Empathetic Products: Liu Ding’s Critical Complicity
Volume 5, Number 4, December 2006
by David Spalding

Emerging from Behind the Screen of Female Art
Volume 2, Number 3, September 2003
by Yang Li, Gu Zhenqing

Emporium: A New Common Sense of Space
Volume 9, Number 2, March/April 2010
by Clara Galeazzi

Entangled Histories: Unraveling the Work of Tsang Kin-Wah
Volume 17, Number 1, January/February 2018
by Helen Wong

Episteme of Multiple Histories
Volume 15, Number 2, March/April 2016
by Julie Chun

Everyday Miracles: Four Women Artists. The Chinese Pavilion at the 52nd Venice Biennale
Volume 6, Number 2, June 2007
by Hou Hanru

Evoking Past into Present: The Spectral
Imagination of Howie Tsui

Volume 10, Number 6, November/December 2011
by Joni Low

Excerpts fom Yang Shaobin’s Notebook: A Textual Interpretation of X-Blind Spot
Volume 8, Number 1, January/February 2009
by Long March Writing Group

Exhibition as Exhibition
Volume 15, Number 6, November/December 2016
by Carol Yinghua Lu

Export—Cargo Transit
Volume 6, Number 4, December 2007
by Mathieu Borysevicz

Expressions of Chinese Ethnicity and Cultural Heritage in Contemporary Indonesian Art: FX Harsono and Tintin Wulia
Volume 14, Number 2, March/April 2015
by Lisa Catt

Floating and Theft in Wuhan
Volume 8, Number 6, November/December 2009
by Stacey Duff

Frog King: Always a Step Ahead
Volume 15, Number 2, March/April 2016
by Christie Lee

From Artwork to Art Documentation and Back Again: On Chen Chieh-Jen’s The Bianwen Book I
Volume 16, Number 3, May/June 2017
by Liang Shang-Huei

From Studying the Bible to Studying Everyday Life: Hu Fang in Conversation with Pak Sheung Chuen
Volume 8, Number 3, May/June 2009
by Hu Fang

Gu Wenda’s United Nations: A Consideration of Two Monuments

Volume 2, Number 4, December 2003
by David Cateforis

History Challenges Reality: The Life and Art of Cai Guoqiang
Volume 1, Number 1, May 2002
by Zhang Qing

House of Oracles: A Huang Yongping Retrospective
Volume 5, Number 1, March 2006
by Marion S. Lee

Huang Yongping, New York, 2002
Volume 1, Number 1, May 2002
by David Ho Yeung Chan

Huang Yongping: If There Were Such a Thing as a “Religious Monster”
Volume 14, Number 4, July/August 2015
by Yu Hsiao Hwei

Huang Zhiyang: Peripheral Vision
Volume 8, Number 3, May/June 2009
by Barbara Pollack

Identity Politics and Cultural Hybridity in Zheng Bo’s Sing for Her
Volume 18, Number 6, November/December 2019
by Yeung Tin Ping

In Conversation with Rachelle Dang
Volume 19, Number 1, January/February 2020
by Tansy Xiao

In Search of the Real Thing: Contemporary Art in Hong Kong
Volume 6, Number 3, September 2007
by John Millichap

Instantaneous Copying and Monumentality: The Historic Logic of Permanence and Impermanence
Volume 16, Number 3, May/June 2017
by Wu Hung

Interview with Hung Tung-Lu
Volume 2, Number 1, March 2003
by Amy Huei-Hua Cheng

Interview with Yuan Goang-Ming
Volume 2, Number 1, March 2003
by Amy Huei-Hua Cheng

Interviews with Chang Yung Ho, Wang Jianwei, and Yang Fudong
Volume 2, Number 3, September 2003
by Hans Ulrich Obrist

Jin Shan: An Unfortunate Lucky
Volume 10, Number 5, September/October 2011
by Karen Smith

Karaoke Hyperspace: Gu Xiong’s Red River as a Study of Place-making
Volume 7, Number 6, November/December 2008
by April Liu

Knit Together: Movana Chen and the Politics of Identity in a Global Society
Volume 9, Number 3, May/June 2010
by Madeline Eschenburg

Knowledge and Illusion: On Hong Hao's Recent Works
Volume 5, Number 2, June 2006
by Yü Christina Yü

Kwok-hin Tang: From an Object-based to a Socially Aspired Art Practice
Volume 19, Number 1, January/February 2020
by Yang Yeung

Lee Kit: Henry (Have You Ever Been So Low?)
Volume 11, Number 2, March/April 2012
by Mandy Ginson

Lee Mingwei: Relating to Art and Artists in the Twenty-First Century
Volume 16, Number 1, January/February 2017
by Rachel Ng

Limbo Zone
Volume 2, Number 2, June 2003
by Lin Shu-min

Lin Tianmiao’s New Works: Dem Bones
Volume 11, Number 2, March/April 2012
by Patricia Eichenbaum Karetzky

Lin Yan: A Negotiation with Space
Volume 17, Number 3, May/June 2018
by Tansy Xiao

Little Movements: Self-practice in Contemporary Art and A Museum That is Not
Volume 11, Number 2, March/April 2012
by Edward Sanderson

Liu Ding: Frameworks Framed
Volume 9, Number 1, January/February 2010
by David Spalding

Liu Jianhua—Horizon
Volume 9, Number 1, January/February 2010
by n/a

Liu Wei: Trilogy
Volume 10, Number 5, September/October 2011
by Xhingyu Chen

Living With(in) the Urban Fiction (Notes on Urbanization and Art in Post-Olympic China)
Volume 8, Number 3, May/June 2009
by Hou Hanru

Longbin Chen: Content in Forms
Volume 3, Number 4, December 2004
by Patricia Eichenbaum Karetzky

Looking and Laughing: Ken Lum at the Vancouver Art Gallery

Volume 10, Number 6, November/December 2011
by Jamie Hilder

Lost and Found: In Search of Shanghai\'s Art History
Volume 9, Number 1, January/February 2010
by Rebecca Catching

Lost in Translation: Contemporary Chinese
Art and the Waning of Criticality
Volume 10, Number 1, January/February 2011
by Paul Gladston

Made by Tiande
Volume 4, Number 1, March 2005
by John Tancock

Making Worlds: The 53rd Venice Biennale
Volume 8, Number 5, September/October 2009
by Jo-Anne Birnie Danzker

Media Ecologies and Landscapes: An Interview with Wang Du
Volume 4, Number 3, September 2005
by Rajdeep Singh Gill

Michael Lin: Model Home/Model Museum
Volume 11, Number 4, July/August 2012
by David Ho Yeung Chan

Michael Lin: The Colour Is Bright, the Beauty Is Generous
Volume 10, Number 3, May/June 2011
by Katie Hill

Ming Fay: From Money Trees to Monkey Pots
Volume 12, Number 2, March/April 2013
by Jonathan Goodman

Mise-en-scène: Cinematheque
Chen Wei and Cheng Ran

Volume 14, Number 5, September/October 2015
by Julie Chun

Monumentality and Anti-Monumentality in Gu Wenda’s Forest of Stone Steles—A Retranslation and Rewriting of Tang Poetry
Volume 4, Number 4, December 2005
by Wu Hung

N12 No. 5
Volume 13, Number 4, July/August 2014
by Robin Peckham

Navin Rawanchaikul, Super China!
Volume 8, Number 4, July/August 2009
by Ellen Pearlman

New with Old: Gu Wenda’s Art and Chinese Traditions.
Volume 2, Number 4, December 2003
by Yang Xiaoneng

No Snow on the Broken Bridge: Film and Video Installations by Yang Fudong
Volume 5, Number 2, June 2006
by Adele Tan

Observation, Intervention, and Documentation as Tactics: Post-Umbrella Movement Trauma and Visibility in Pak Sheung Chuen’s Video Installations
Volume 17, Number 5, September/October 2018
by Yeung Tin Ping

Of Clouds and Cocoons: Inteview with Xiaojing Yan
Volume 14, Number 4, July/August 2015
by Matthew Ryan Smith

Of Jungle—In Praise of Distance: Reflections on Anonymity and Contemporaneity in Chinese Art
Volume 9, Number 4, July/August 2010
by Beatrice Leanza

Off-site Art Exhibitions as a Practice
of “Taiwanization” in the 1990s
Volume 9, Number 5, September/October 2010
by Lu Pei-Yi

Off-site Art in Shanghai
Volume 9, Number 5, September/October 2010
by Zhao Chuan

Off-site Art: A Battle for Space
Volume 9, Number 5, September/October 2010
by Oscar Ho

On Chinese Art in Global Times: A Conversation with Wang Chunchen
Volume 12, Number 5, September/October 2013
by Alice Schmatzberger

On Curating Cruel/Loving Bodies
Volume 4, Number 1, March 2005
by Sasha Su-Ling Welland

On Form and Flux: Change and Transformation in Chinese Art at the Istanbul Modern and the Hayward Gallery, London
Volume 12, Number 1, January/February 2013
by Stephanie Bailey

On Observation Society
Volume 9, Number 4, July/August 2010
by Anthony Yung Tsz Kin

On the Edge Visiting Artists Program
Volume 4, Number 2, June 2005
by Britta Erickson

On the Road to Venice, or, A Parrot Speaks to Me: The Hong Kong Pavilion at the 52nd Venice Biennale
Volume 6, Number 2, June 2007
by Norman Ford

On the Spot: The Stanford Visiting Artists Program
Volume 4, Number 2, June 2005
by Pauline J. Yao

One Person's Classics of Mountain and Sea: On Qin Yufen and Her Installation Art
Volume 5, Number 2, June 2006
by Bingyi Huang

Only When Things Belong to the World, Can They Belong to a Nation
Volume 7, Number 1, January/February 2008
by Lu Hong

Ornament as Knowledge, Ornament as Desire: The Art of Emily Cheng

Volume 2, Number 4, December 2003
by Jonathan Goodman

Outside In: Chinese x American x Contemporary Art
Volume 8, Number 4, July/August 2009
by Sohl Lee

Patterns of Thought: The Installations of Michael Lin
Volume 2, Number 1, March 2003
by Bronwyn Mahoney

Peasant Da Vincis: A Conversation with Cai Guo-Qiang
Volume 9, Number 6, November/December 2010
by Mathieu Borysevicz

Place and Displace: Three Generations of Taiwanese Art
Volume 4, Number 1, March 2005
by Charles Liu

Projecting Dreams: Liu Jianhua's Spiritual Things
Volume 9, Number 1, January/February 2010
by Monica Dematté

Qiu Ping: Beyond the Hand
Volume 5, Number 1, March 2006
by Andrzej Lawn

Qiu Zhijie at Chambers Fine Art
Volume 8, Number 5, September/October 2009
by Jonathan Goodman

Reboot—The Third Chengdu Biennale: A Review
Volume 7, Number 1, January/February 2008
by Michael Hatch

Recurring Intimations of Disorder: A Conversation with Zhang Peili
Volume 8, Number 2, March/April 2009
by Paul Gladston

Relics, Memory, and Nostalgia in Harmonious Society
Volume 14, Number 2, March/April 2015
by Alexandra Lily Mitchell

Resting with Mingwei: Subversive Cosmopolitanism in the Conceptual Project of Lee Mingwei
Volume 1, Number 1, May 2002
by Joan Kee

Return to Society: The History and Politics of Art as Social Intervention—A Look at Taiwan’s Four Phases of Development Since the Fall of Martial Law
Volume 9, Number 5, September/October 2010
by Amy Cheng

Review of On the Edge: Contemporary Chinese Artists Encounter the West
Volume 4, Number 2, June 2005
by Qing Pan

Sarah Sze: Close Up and Far Away
Volume 11, Number 4, July/August 2012
by Jonathan Goodman

SARS, Skincare, Real Estate, Rhythm: Lee Kit’s Politics of Space
Volume 16, Number 2, March/April 2017
by Godfre Leung

Seeking the Master But Not Meeting: Danielle Shang in Conversation with Song Kun
Volume 8, Number 3, May/June 2009
by Danielle Shang

Shan Shan Sheng’s Open Wall
Volume 8, Number 5, September/October 2009
by Inhee Iris Moon

Shi Jinsong: Na Zha Baby Boutique
Volume 5, Number 2, June 2006
by John Tancock

Shock and Awe: An Interview with Cai Guo-Qiang
Volume 6, Number 1, March 2007
by John K. Grande

Shu Yong: Mediator of Bodies
Volume 8, Number 6, November/December 2009
by Erik Bordeleau

Singapore, Shanghai, Jakarta, Kansas City

Volume 2, Number 4, December 2003
by Raechell Smith

Sites of Construction and Encounter: Interview with Wang Wei
Volume 6, Number 2, June 2007
by Nav Haq

Some Thoughts on Art Game: An Experience of Agency in Contemporary Art
Volume 6, Number 1, March 2007
by Yü Christina Yü

Song Ling in Conversation with Paul Gladston
Volume 7, Number 6, November/December 2008
by Paul Gladston

Starting from Zero: Wang Jianwei
Volume 6, Number 1, March 2007
by David Ho Yeung Chan

Subjective Endeavours. Re-Imagining Asia: A Thousand Years of Separation
Volume 7, Number 4, July/August 2008
by Birgit Hopfener

Symposium Discussion

Volume 2, Number 4, December 2003
by n/a

Synthi-scapes
Volume 2, Number 2, June 2003
by Fan Di’an

Taipei Biennial 2006
Volume 6, Number 1, March 2007
by Susan Kendzulak

The 10th Istanbul Biennial—Staging a Communitarian Utopia
Volume 7, Number 1, January/February 2008
by Hilary Tsui

The 8th Shanghai Biennale: Rehearsal
Volume 10, Number 1, January/February 2011
by Xhingyu Chen

The Beauty of Distance: Global Art in the Context of the 17th Sydney Biennale
Volume 9, Number 6, November/December 2010
by James Donald

The Birth of Superman: On the Solo Exhibition Datong Dazhang
Volume 15, Number 3, May/June 2016
by Xiang Liping

The China Project
Volume 8, Number 5, September/October 2009
by Inga Walton

The Cryptographic Imagination of Huang Rui: Chinese History in Animal Time
Volume 8, Number 3, May/June 2009
by Maya Kovskaya

The Culture of Abstractions
Volume 11, Number 2, March/April 2012
by Stephanie Bailey

The Curator Mansion: An Impossible Place
of Infinite Possibilities
Volume 10, Number 3, May/June 2011
by Beatrice Leanza

The Dao of Wei Jane Chir
Volume 3, Number 4, December 2004
by Joan Lebold Cohen

The Doubleness of Sight/Site: Xu Bing’s Phoenix as an Intended Public Art Project
Volume 17, Number 2, March/April 2018
by Junjie Jiang

The Emperor Decomposed Long Ago, Only the Scent of the Nanmu Tree Remains
Volume 7, Number 1, January/February 2008
by Qiu Zhijie

The Evolution of Land—The Evolution of Us: Xu Tan’s Search for Questions
Volume 12, Number 6, November/December 2013
by Evelyn Lok

The Gelatin Age: Contemporary Chinese Art’s New Powerat is the Mission of Asian Art Curators in the Age of Globalization?
Volume 7, Number 3, May/June 2008
by Zhang Qing

The Harmonization of Ai Weiwei
Volume 10, Number 1, January/February 2011
by Voon Pow Bartlett

The Leftovers of Translation: The Works of Shen Yuan

Volume 2, Number 4, December 2003
by Gilane Tawadros

The Night Revels: Wang Qingsong in Conversation with Danielle Shang
Volume 10, Number 5, September/October 2011
by Danielle Shang

The Poetics of Engagement: Ed Pien and the Three-Dimensional World
Volume 6, Number 1, March 2007
by Joni Low

The Second Triennial of Chinese Art: History in the Making
Volume 4, Number 3, September 2005
by Pauline J. Yao

The Snake and the Duck: On Huang Yong Ping
Volume 8, Number 5, September/October 2009
by Ryan Holmberg

The Technological Society Revisited: A Conversation with Feng Mengbo
Volume 12, Number 4, July/August 2013
by Lisa Claypool

The Third Mind: American Artists Contemplate Asia, 1860–1989, and Outside In: Chinese x American x Contemporary Art
Volume 8, Number 4, July/August 2009
by Michael Hatch

The Unreality of Trade (trad) v.
Volume 5, Number 1, March 2006
by Joni Low

The Value of Painting as That of Cabbage and Thieves: On Li Dafang
Volume 8, Number 6, November/December 2009
by Carol Yinghua Lu

The Way and Its Demons: Art, Politics, and Denial in Lyon
Volume 3, Number 3, September 2004
by Philip Tinari

There are Already Thousands of Exhibitions in the World: A Letter for Heman
Volume 6, Number 2, June 2007
by Hu Fang

Thread and Bone: An Interview with Lin Tianmiao
Volume 11, Number 2, March/April 2012
by Peggy Wang

Three Approaches to Socially Engaged Art in Taiwan
Volume 15, Number 6, November/December 2016
by Lu Pei-Yi

Tracking the Bat Project
Volume 5, Number 1, March 2006
by Michelle McCoy

Trans-boundary Experiences: A Conversation between Xu Bing and Nick Kaldis
Volume 6, Number 2, June 2007
by Xu Bing, Nick Kaldis

Transexperiencing Chen Zhen’s Art
Volume 12, Number 1, January/February 2013
by Amjad Majid

Translating the Translocal Experience: Gu Xiong\'s I Am Who I Am
Volume 1, Number 1, May 2002
by Melanie O’Brian

Two Chinese Artists at Adventures of the Black Square: Abstract Art and Society, 1915–2015
Volume 14, Number 4, July/August 2015
by Voon Pow Bartlett

Uncertain Realities: The Shanghai Contemporary Art Scene and Censorship
Volume 6, Number 2, June 2007
by Biljana Ciric

Unscrolled: Reframing Tradition in Contemporary Chinese Art
Volume 14, Number 5, September/October 2015
by Tianmo Zhang

Us and Our Shanghai: A Dialogue Between Biljana Ciric and Song Tao
Volume 7, Number 5, September/October 2008
by Biljana Ciric

Vestiges of Time / Elemental Spring: Zhang Jian-Jun and Barbara Edelstein in Guangdong
Volume 2, Number 1, March 2003
by Aida-Yuen Wong

Village Collection: On Li Mu’s Qiuzhuang Project
Volume 13, Number 1, January/February 2014
by Jesse Birch

Visiting Reality in the Anonymous and Weak Light: A Conversation between Chu Yun and Hu Fang
Volume 7, Number 1, January/February 2008
by Hu Fang

Visual Political Science: Another Wang Guangyi
Volume 8, Number 2, March/April 2009
by Huang Zhuan

Wall-gazers and Nothing-doers: A Review of Song Dong Doing Nothing
Volume 12, Number 4, July/August 2013
by Liz Park

Wanxin Zhang: Totem
Volume 14, Number 2, March/April 2015
by Erica Mohar

We Are Polit-Sheer-Form
Volume 10, Number 5, September/October 2011
by Mathieu Borysevicz

What Goes Around Comes Around: Taking
a Spin Around the 2010 Taipei Biennial
Volume 10, Number 1, January/February 2011
by Pauline J. Yao

What I Like to Do: Interview with Yan Lei
Volume 11, Number 4, July/August 2012
by Li Zhenhua

What Is the Sound of Failed Aspriations? Samson Young’s Songs For Disaster Relief
Volume 16, Number 5, September/October2017
by Yeewan Koon

Why Hair?

Volume 2, Number 4, December 2003
by Xu Gan

WOMEN 我們
Volume 12, Number 2, March/April 2013
by Alpesh Kantilal Patel

World-making and Mirror Reflection: Zhan Wang’s Art in Time and Space, Between Worry and Wandering
Volume 7, Number 3, May/June 2008
by Kao Chienhui

Wu Gaozhong: Sites of Intimate Remembrance that Get Under the Skin
Volume 8, Number 2, March/April 2009
by Maya Kovskaya

Xiao Lu: The Confluence of Life and Art
Volume 8, Number 2, March/April 2009
by Jonathan Goodman

Xu Bing: Erasure and Impermanence
Volume 14, Number 4, July/August 2015
by Chanda Laine Carey

Xu Bing: Transcending Culture
Volume 10, Number 5, September/October 2011
by Scott Albright

Xu Bing’s Magical Mystery Tour
Volume 13, Number 1, January/February 2014
by Patricia Eichenbaum Karetzky

Xu Zhen’s Impossible Is Nothing: A Discussion
Volume 8, Number 3, May/June 2009
by Colin Chinnery, Fu Xiaodong, Gu Zhenqing, Han Yuting, Li Hongyu, Lin Tianmiao, Liu Wei, Lu Jie, Wang Gongxin, Wang Jianwei, Wang Wei, Zhan Wang, and Zhu Yu

Yam Lau: A Life of Re-creation
Volume 10, Number 5, September/October 2011
by David Court

Yangjiang Group: Actions for Tomorrow
Volume 14, Number 4, July/August 2015
by Lisa Catt

Yes Again, And This Time It’s for Real: An Interview with Simon Groom and Karen Smith
Volume 6, Number 2, June 2007
by Nav Haq

Yin Xiuxen: A Material World
Volume 12, Number 2, March/April 2013
by Stephanie Bailey

Yin Xiuzhen’s Fluid Sites of Participation: A Communal Space of Communication and Antagonism
Volume 16, Number 5, September/October 2017
by Vivian Kuang Sheng

Yin Yi: Spatializing Soundscapes
Volume 17, Number 5, September/October 2018
by Julie Chun

Zhang Dali: Square
Volume 13, Number 6, November/December 2014
by Jonathan Goodman

Zhang Dali: The Face of China
Volume 4, Number 4, December 2005
by Patricia Eichenbaum Karetzky

Zhang Huan: Paradise Regained
Volume 9, Number 4, July/August 2010
by Benjamin Genocchio

Zhang Huan: Zhu Gangqiang
Volume 9, Number 1, January/February 2010
by Voon Pow Bartlett

Zhang Huan’s Big Buddha Ten Years Later
Volume 11, Number 4, July/August 2012
by Amelia Mariani

Zhang Peili: The Annual Report of OCD
Volume 19, Number 4, July/August 2020
by Karen Smith

Zhao Yao: Spirit Above All
Volume 12, Number 4, July/August 2013
by Voon Pow Bartlett

Zhou Tao: The Man Who Plants Scenarios
Volume 10, Number 5, September/October 2011
by Jeanne Gerrity

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