Yishu - Journal of Contemporary Chinese Art

Browse Articles by Medium / Painting

 
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“Nice painting” et al. – Different Kinds of
Painting and Related Practices in Hong Kong

Volume 11, Number 6, November/December 2012
by Frank Vigneron
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New Man: Liu Ding’s Approach and Situation
Volume 15, Number 2, March/April 2016
by Luan Zhichao
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nothingness was not: A New World
Volume 16, Number 1, January/February 2017
by Voon Pow Bartlett
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Really, Socialism?!
Volume 15, Number 2, March/April 2016
by Kang Kang
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Wu Street: Tracing Lineages of the
Internationalization of the Art World

Volume 11, Number 1, January/February 2012
by Orianna Cacchione
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A Conversation with Hu Xiaoyuan and Qiu Xiaofei
Volume 8, Number 5, September/October 2009
by Danielle Shang
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A Conversation With Lam Tung-pang
Volume 11, Number 1, January/February 2012
by Abby Chen
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A Conversation with Lee Ufan
Volume 15, Number 2, March/April 2016
by Stephanie Chou Wanjing
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A Conversation with Wei Jia
Volume 14, Number 6, November/December 2015
by Daniel Chen
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A Missing Story in Havana: A Conversation with Juan Moreira
Volume 16, Number 1, January/February 2017
by Zheng Shengtian
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A Potent Force: Duan Jianyu and Hu Xiaoyuan
Volume 12, Number 4, July/August 2013
by Edward Sanderson
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A Review of the 2011 Chengdu Biennale
Volume 11, Number 2, March/April 2012
by Sophia Kidd
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A Short Review of From Reality to Fantasy: The Art of Luis Chan
Volume 5, Number 4, December 2006
by Lai Meilin
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A Single Artwork: A Conversation with
Zhang Hongtu

Volume 14, Number 6, November/December 2015
by De-nin Deanna Lee
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A Space in Time: Reflections on Developments in Contemporary Art in Taiwan
Volume 7, Number 1, January/February 2008
by Sophie McIntyre
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A Spontaneous Release: Wang Peng Talks about His ‘84 Performance
Volume 6, Number 3, September 2007
by Britta Erickson
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A Walk in the World of Jia Aili
Volume 7, Number 6, November/December 2008
by Karen Smith
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A World of Contrasts—on Wang Huaiqing’s Modern Structure
Volume 7, Number 1, January/February 2008
by Jia Fangzhou
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About Arrivals and Departures: New Perspectives on Hong Kong Art
Volume 6, Number 2, June 2007
by Howard Chan, Sally Lai, Yuen Fong Ling, Siu King-Chung
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Amassing the Essence: A Preliminary Look at Liang Quan’s Thirty Years of Painting
Volume 14, Number 5, September/October 2015
by Chia Chi Jason Wang
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Amazing Grace: Contemporary Chinese Christian Art
Volume 16, Number 1, January/February 2017
by Patricia Eichenbaum Karetzky
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Architectonic Ink: Zheng Chongbin in
Conversation with Lisa Claypool

Volume 10, Number 4, July/August 2011
by Lisa Claypool
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Art and China’s Revolution
Volume 8, Number 1, January/February 2009
by Barbara Pollack
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Art Labor and Ying Yefu: Between the Amateur and the Professional
Volume 15, Number 5, September/October 2016
by Jacob August Dreyer
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At the Heart of the Battle: The Creative Thinking and Practice of Liu Ding
Volume 13, Number 6, November/December 2014
by Su Wei
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Beauty in Despair: New Works by Fang Lijun
Volume 8, Number 2, March/April 2009
by Aileen June Wang
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Better City, Better Art? An Overview of Art at the World Expo 2010
Volume 9, Number 6, November/December 2010
by Xhingyu Chen
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Black—Extreme—Vigorous—Figurative
Volume 5, Number 1, March 2006
by Martina Köppel-Yang
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Blind but not Foreign: Gao Weigang and the New Insider-Outsider Art
Volume 8, Number 6, November/December 2009
by Robin Peckham
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Blooming in the Shadows: Unofficial Chinese
Art, 1974–1985

Volume 11, Number 1, January/February 2012
by Jonathan Goodman
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Borrowed Light
Volume 15, Number 1, January/February 2016
by Andy Patton
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Broken Ground: Chuang Che’s Modernist Paintings of the 1960s
Volume 15, Number 1, January/February 2016
by Lesley Ma
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Can Blandness Be Praised?
Volume 10, Number 6, November/December 2011
by Voon Pow Bartlett
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Change and Fabrication: The Body as Site for the Feminine and the Intercultural
Volume 2, Number 3, September 2003
by Lesley Sanderson
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Chen Haiyan: In the Realm of the Fantastic
Volume 13, Number 4, July/August 2014
by Amjad Majid
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China Urban: An Interview with Xie Xiaoze
Volume 8, Number 4, July/August 2009
by Lisa Claypool
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Ching Ho Cheng: A Reintroduction
Volume 7, Number 1, January/February 2008
by Jonathan Goodman
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Construction and Expansion of Contemporary Art
Volume 7, Number 1, January/February 2008
by Shen Kuiyi
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Contemporary Ink: In Service of the Everyday
Volume 7, Number 1, January/February 2008
by Pauline J. Yao
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Crossing the East/West Divide: on the Art of Xu Jiang
Volume 5, Number 4, December 2006
by Edward Lucie-Smith
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Cubism Revisited: The Late Work of Lin
Fengmian

Volume 9, Number 4, July/August 2010
by Tianyue Jiang
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Cui Guotai: Rust Never Sleeps
Volume 8, Number 4, July/August 2009
by Patricia Eichenbaum Karetzky
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Cui Xiuwen
Volume 15, Number 5, September/October 2016
by Patricia Eichenbaum Karetzky
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Cui Xiuwen: Walking on Broken Glass
Volume 9, Number 3, May/June 2010
by Patricia Eichenbaum Karetzky
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Deng Guo Yuan: In the Garden
Volume 10, Number 4, July/August 2011
by Jonathan Goodman
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Dialogue with Hans Ulrich Obrist and Hou Hanru on the 2nd Guangzhou Triennial
Volume 4, Number 1, March 2005
by Sun Xiaofeng, Hou Hanru, Hans Ulrich Obrist
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Ding Yi: The Magician of Crosses
Volume 7, Number 5, September/October 2008
by Cao Weijun
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Do We Have Time for the Subtleties of Guohua?
Volume 7, Number 1, January/February 2008
by Britta Erickson
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Dreaming through Art: On Chen Hui-chiao
Volume 8, Number 5, September/October 2009
by Chia Chi Jason Wang
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Eager Paintings, Empathetic Products: Liu Ding’s Critical Complicity
Volume 5, Number 4, December 2006
by David Spalding
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Eccentric Notes on Dissent: The Art of Zhu Wei
Volume 3, Number 3, September 2004
by Xenia Tetmajer von Przerwa
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Emotions Are Beautiful: Bingyi’s “Unfashionable” Faith in Painting
Volume 6, Number 3, September 2007
by Hiroko Ikegami
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Episteme of Multiple Histories
Volume 15, Number 2, March/April 2016
by Julie Chun
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Evoking Past into Present: The Spectral
Imagination of Howie Tsui

Volume 10, Number 6, November/December 2011
by Joni Low
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Excerpts fom Yang Shaobin’s Notebook: A Textual Interpretation of X-Blind Spot
Volume 8, Number 1, January/February 2009
by Long March Writing Group
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Exhibition Culture and the Art Market
Volume 6, Number 4, December 2007
by Yü Christina Yü
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Fong Chung-ray at Eighty: Between Modern and Contemporary
Volume 13, Number 6, November/December 2014
by Mark Dean Johnson
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Framed Authors: Photography and Conceptual Art from Dafen Village
Volume 7, Number 4, July/August 2008
by Winnie Won Yin Wong
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Fresh Ideas, Fresh Ink
Volume 10, Number 4, July/August 2011
by Julia F. Andrews, Shen Kuiyi
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Grid: (In)congruity, Universality, Ding Yi
Volume 13, Number 4, July/August 2014
by Mathieu Borysevicz
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Guo Brothers at Michael Goedhuis
Volume 2, Number 1, March 2003
by Jonathan Goodman
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Huang Rui: Painting with Words
Volume 14, Number 6, November/December 2015
by Jonathan Goodman
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Huang Zhiyang: Peripheral Vision
Volume 8, Number 3, May/June 2009
by Barbara Pollack
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Human, Too Human: The Paintings of Zhang Enli
Volume 7, Number 5, September/October 2008
by Monica Dematté
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Hung Liu
Volume 9, Number 1, January/February 2010
by Jonathan Goodman
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Interview with Paz Venturelli Baraona
Volume 14, Number 5, September/October 2015
by Zheng Shengtian
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Interview with Shan Shan Sheng
Volume 6, Number 4, December 2007
by Brandi Reddick
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Interview with Yue Minjun
Volume 7, Number 2, March/April 2008
by Karen Smith
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Jiang Zhi's Faulty Display
Volume 11, Number 6, November/December 2012
by Mathieu Borysevicz
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Landscape as a Cultural Consciousness in Contemporary Chinese Art

Volume 2, Number 4, December 2003
by Sheng Kuiyi
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Li Songsong: Conflicts of the In-Between
Volume 13, Number 1, January/February 2014
by Voon Pow Bartlett
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Liu Ding: Frameworks Framed
Volume 9, Number 1, January/February 2010
by David Spalding
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Liu Xiaodong vs. Hou Hsiao-hsien: An
Interview

Volume 11, Number 3, May/June 2012
by Kao Tzu-chin
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Lost and Found: In Search of Shanghai\'s Art History
Volume 9, Number 1, January/February 2010
by Rebecca Catching
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Lost in Translation: Contemporary Chinese
Art and the Waning of Criticality

Volume 10, Number 1, January/February 2011
by Paul Gladston
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Lu Hao at Goedhuis Contemporary
Volume 5, Number 1, March 2006
by Jonathan Goodman
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Made by Tiande
Volume 4, Number 1, March 2005
by John Tancock
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Making Worlds: The 53rd Venice Biennale
Volume 8, Number 5, September/October 2009
by Jo-Anne Birnie Danzker
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Mao Yan at Pace Gallery, New York
Volume 14, Number 5, September/October 2015
by Jonathan Goodman
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Maternal Ambivalence in Pan Yuliang’s Paintings
Volume 9, Number 3, May/June 2010
by Phyllis Teo
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Miao Xiaochun: Digitally Re-figured—The Animated Self
Volume 12, Number 2, March/April 2013
by Alice Schmatzberger
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Michael Lin: The Colour Is Bright, the Beauty Is Generous
Volume 10, Number 3, May/June 2011
by Katie Hill
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Miguel Trelles at Taller Boricua
Volume 2, Number 2, June 2003
by Jonathan Goodman
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Mining or Undermining “Tradition”: Shifts in
the Work of Tony Ng Kwun Lun

Volume 10, Number 4, July/August 2011
by Frank Vigneron
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Modernism and Hybridity in the Works of Lin Fengmian
Volume 7, Number 1, January/February 2008
by Sandy Ng
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N12 No. 5
Volume 13, Number 4, July/August 2014
by Robin Peckham
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Navin Rawanchaikul, Super China!
Volume 8, Number 4, July/August 2009
by Ellen Pearlman
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New Pictures of the “Ugly Chinaman:” The Art of Liu Xiaodong
Volume 7, Number 2, March/April 2008
by Thorsten Botz-Bornstein
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New Slogan, Old Tricks: Zhang Dali
in New York

Volume 10, Number 5, September/October 2011
by Stephanie Bailey
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New Works/New Directions in the Art of Yang Jinsong
Volume 7, Number 2, March/April 2008
by Patricia Eichenbaum Karetzky
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Nonexistent Reality: A Discussion between Li Xianting and Ye Yongqing
Volume 7, Number 3, May/June 2008
by Li Xianting
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Objects of Experience: A Conversation with Au Hoi Lam
Volume 12, Number 6, November/December 2013
by Stephanie Bailey
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On Bingyi’s Cascade
Volume 10, Number 4, July/August 2011
by Wu Hung
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On Chinese Art in Global Times: A Conversation with Wang Chunchen
Volume 12, Number 5, September/October 2013
by Alice Schmatzberger
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On the Edge Visiting Artists Program
Volume 4, Number 2, June 2005
by Britta Erickson
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On the Spot: The Stanford Visiting Artists Program
Volume 4, Number 2, June 2005
by Pauline J. Yao
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Only When Things Belong to the World, Can They Belong to a Nation
Volume 7, Number 1, January/February 2008
by Lu Hong
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Ornament as Knowledge, Ornament as Desire: The Art of Emily Cheng

Volume 2, Number 4, December 2003
by Jonathan Goodman
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Outside In: Chinese x American x Contemporary Art
Volume 8, Number 4, July/August 2009
by Sohl Lee
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Parsing Form and Spirit: Emily Cheng in Conversation with Suzanne de Vegh
Volume 7, Number 6, November/December 2008
by Suzanne de Vegh
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Place and Displace: Three Generations of Taiwanese Art
Volume 4, Number 1, March 2005
by Charles Liu
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Playing with the Political: Feng Mengbo’s Street Fighter IV
Volume 5, Number 1, March 2006
by April A. Eisman
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Projecting Dreams: Liu Jianhua's Spiritual Things
Volume 9, Number 1, January/February 2010
by Monica Dematté
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Qi Zhilong and His Chinese Girl
Volume 9, Number 3, May/June 2010
by Zheng Shengtian
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Qiu Xiaofei’s Struggle
Volume 14, Number 5, September/October 2015
by Danielle Shang
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Qiu Zhijie at Chambers Fine Art
Volume 8, Number 5, September/October 2009
by Jonathan Goodman
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Qu Fengguo: Temporal Configurations
Volume 15, Number 5, September/October 2016
by Julie Chun
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Reboot—The Third Chengdu Biennale: A Review
Volume 7, Number 1, January/February 2008
by Michael Hatch
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Representing the City: Chow Chun Fai in Conversation
Volume 13, Number 4, July/August 2014
by Stephanie Bailey
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Review of the Inaugural Beijing Biennale

Volume 2, Number 4, December 2003
by Karen Smith
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Revolution and Power: The Paintings of Duan
Jianghua

Volume 11, Number 1, January/February 2012
by Robert C. Morgan
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Revolutionary History and “Spring, King, Align Month”
Volume 5, Number 1, March 2006
by Chang Tsong-zung
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Salvation and Return: An Analysis of Xu Jiang’s Recent Work
Volume 8, Number 6, November/December 2009
by Sun Shanchun
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Sarah Sze: Close Up and Far Away
Volume 11, Number 4, July/August 2012
by Jonathan Goodman
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Searching for Face: Temporal Hybridity and Identity Construction in the Works of Yu Peng
Volume 3, Number 4, December 2004
by Christopher Neil Payne
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Seeing the Forest and the Trees: Art and Ecology in Xu Bing’s Forest Project
Volume 15, Number 1, January/February 2016
by Pao-chen Tang
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Seeing the Unseen World: The Art of Bingyi
Volume 14, Number 6, November/December 2015
by Amjad Majid
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Seeking the Master But Not Meeting: Danielle Shang in Conversation with Song Kun
Volume 8, Number 3, May/June 2009
by Danielle Shang
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Shanghai: Art of the City
Volume 9, Number 4, July/August 2010
by Micki McCoy
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Shen Chen: In Thrall to No One
Volume 9, Number 2, March/April 2010
by Jonathan Goodman
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Shu Yong: Mediator of Bodies
Volume 8, Number 6, November/December 2009
by Erik Bordeleau
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Some Thoughts about Wang Huaiqing
Volume 7, Number 1, January/February 2008
by Michael Sullivan
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Su Xinping: Allegories of Loss
Volume 7, Number 2, March/April 2008
by Jonathan Goodman
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Taipei Biennial 2006
Volume 6, Number 1, March 2007
by Susan Kendzulak
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Tangled Up in Blue: Women in the Art of
Ma Yanling

Volume 14, Number 6, November/December 2015
by Patricia Eichenbaum Karetzky
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The 8th Shanghai Biennale: Rehearsal
Volume 10, Number 1, January/February 2011
by Xhingyu Chen
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The Beauty of Distance: Global Art in the Context of the 17th Sydney Biennale
Volume 9, Number 6, November/December 2010
by James Donald
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The Best of Times: Lam Tung-pang’s Long View
Under Scrutiny

Volume 11, Number 1, January/February 2012
by Abby Chen
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The Birth of Superman: On the Solo Exhibition Datong Dazhang
Volume 15, Number 3, May/June 2016
by Xiang Liping
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The China Project
Volume 8, Number 5, September/October 2009
by Inga Walton
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The Good, the Bad, and the Ugly
Volume 15, Number 5, September/October 2016
by Danielle Shang
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The Guangzhou Art Scene: Today and Tomorrow
Volume 9, Number 4, July/August 2010
by Biljana Ciric
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The Metamorphosis of Water: Bingyi’s Cascade
Volume 10, Number 4, July/August 2011
by Wei Xing
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The Night Revels: Wang Qingsong in Conversation with Danielle Shang
Volume 10, Number 5, September/October 2011
by Danielle Shang
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The Quest for a Regional Culture: The Artistic Adventure of Two Bali Trips, 1952 and 2001
Volume 12, Number 5, September/October 2013
by Wang Ruobing
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The Transcendental Blandness of Yan Pei-Ming’s International Landscapes
Volume 8, Number 4, July/August 2009
by Thorsten Botz Bornstein
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The Value of Painting as That of Cabbage and Thieves: On Li Dafang
Volume 8, Number 6, November/December 2009
by Carol Yinghua Lu
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The Way and Its Demons: Art, Politics, and Denial in Lyon
Volume 3, Number 3, September 2004
by Philip Tinari
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The Yellow Box: Thoughts on Art before the Age of Exhibitions
Volume 4, Number 1, March 2005
by Chang Tsong-zung
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The “Being and Nothingness” of Han Feng
Volume 12, Number 1, January/February 2013
by Voon Pow Bartlett
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Theatre of Painting: The Blueprints of Zhang Hui

Volume 16, Number 3, May/June 2017
by Lu Mingjun
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This Actually Happened—On Objectivity
Without Universality: A Conversation with
David Diao

Volume 14, Number 6, November/December 2015
by David Xu Borgonjon
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Time and Love: Cai Jin’s New Works
Volume 12, Number 6, November/December 2013
by Patricia Eichenbaum Karetzky
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Unscrolled: Reframing Tradition in Contemporary Chinese Art
Volume 14, Number 5, September/October 2015
by Tianmo Zhang
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Urban Politics: Urbanization and Liu Wei’s Art
Volume 14, Number 4, July/August 2015
by Danielle Shang
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Variations of Ink: A Dialogue with Zhang Yanyuan
Volume 1, Number 2, August 2002
by Wu Hung
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Village Collection: On Li Mu’s Qiuzhuang Project
Volume 13, Number 1, January/February 2014
by Jesse Birch
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Visual Political Science: Another Wang Guangyi
Volume 8, Number 2, March/April 2009
by Huang Zhuan
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Wang Qingsong’s Use of Buddhist Imagery
(There Must Be a Buddha in a Place Like This)

Volume 12, Number 1, January/February 2013
by Patricia Eichenbaum Karetzky
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We Are Polit-Sheer-Form
Volume 10, Number 5, September/October 2011
by Mathieu Borysevicz
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What I Like to Do: Interview with Yan Lei
Volume 11, Number 4, July/August 2012
by Li Zhenhua
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Yangjiang Group: Actions for Tomorrow
Volume 14, Number 4, July/August 2015
by Lisa Catt
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Yu Hong’s Witness to Growth: Historic Determination and Individual Contingency
Volume 2, Number 3, September 2003
by Xenia Tetmajer von Przerwa
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Zeng Fanzhi: A Marxist Critique
Volume 7, Number 4, July/August 2008
by Robert C. Morgan
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Zhang Enli
Volume 9, Number 4, July/August 2010
by Natasha Degen
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Zhang Enli’s Space Painting
Volume 13, Number 1, January/February 2014
by Victor Wang
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Zhang Huan: Paradise Regained
Volume 9, Number 4, July/August 2010
by Benjamin Genocchio
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Zhang Huan: Zhu Gangqiang
Volume 9, Number 1, January/February 2010
by Voon Pow Bartlett
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Zhang Linhai's World: A Sphere of Emotional Intensity
Volume 4, Number 3, September 2005
by Xenia Tetmajer von Przerwa
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Zhao Gang: Looking Back, Looking Away
Volume 4, Number 3, September 2005
by Jonathan Goodman
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Zhao Yao: Spirit Above All
Volume 12, Number 4, July/August 2013
by Voon Pow Bartlett
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Zheng Chongbin: Defining His Own Terrain
Volume 10, Number 4, July/August 2011
by Collette Chattopadhyay
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Zheng Chongbin: Ten Metaphors with which to Experience His Paintings
Volume 10, Number 4, July/August 2011
by Tony Godfrey
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Zhong Biao and the “Grobal” Imagination
Volume 6, Number 4, December 2007
by Paul Manfredi
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Zhong Biao’s Abstract Panorama
Volume 9, Number 2, March/April 2010
by Paul Manfredi
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